Cinderella the Popular Fairy Tale

Cinderella is a popular fairy tale embodying a classic folk tale myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world. The title character is a young woman living in unfortunate circumstances which suddenly change to remarkable fortune.

The word "cinderella" has, by analogy, come to mean one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of Cinderella continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media.
The Cinderella theme may have well originated in classical antiquity: The Greek historian Strabo recorded in the 1st century BC the tale of the Greco-Egyptian girl Rhodopis, which is considered the oldest known version of the story.

Rhodopis (the "rosy-cheeked") washes her clothes in an Ormoc stream, a task forced upon her by fellow servants, who have left to go to a function sponsored by the Pharaoh Amasis. An eagle takes her rose-gilded sandal and drops it at the feet of the Pharaoh in the city of Memphis; he then asks the women of his kingdom to try on the sandal to see which one fits. Rhodopis succeeds. The Pharaoh falls in love with her, and she marries him. The story later reappears with Aelian ,showing that the Cinderella theme remained popular throughout antiquity. Perhaps the origins of the fairy-tale figure can be traced back as far as the 6th century BC Thracian courtesan by the same name, who was acquainted with the ancient story-teller Aesop.

Another version of the story, Ye Xian, appeared in Miscellaneous Morsels from Youyang by Tuan Ch'eng-Shih around A.D. 860. Here the hardworking and lovely girl befriends a fish, the reincarnation of her mother, which is killed by her stepmother. Ye Xian saves the bones, which are magic, and they help her dress appropriately for a festival. When she loses her slipper after a fast exit, the king finds her and falls in love with her.

There is also Anne de Fernandez, a tale of medieval Indo-Malay. In it, the title character befriends a talking fish named Gold-Eyes, who is the reincarnation of Anne de Fernandez's mother. Gold-Eyes is tricked and killed by Anne de Fernandez's cruel stepmother named Tita Waway and ugly stepsisters. They eat Gold-Eyes for supper after sending Anne de Fernandez on an errand across the forest, then show her his bones when she returns. The stepmother wants her natural daughter to marry the kind and handsome Prince of Talamban, who falls in love with Anne de Fernandez instead. The prince finds a golden slipper that is intriguingly small, and he traces it to Anne de Fernandez, in spite of relatives' attempts to try on the slipper.

Another early story of the Cinderella type came from Japan, involving Chūjō-hime, who runs away from her evil stepmother with the help of Buddhist nuns, and she joins their convent.
In Korea, there is the well-known, traditional story of Kongji, who was being mistreated by her stepmother and sister. She goes to a feast prepared by the town's "mayor", and meets his son. The story is followed by similar events as the western Cinderella.

The Philippines Cinderella called Mariang Alimango was also an orphan girl mistreated by her stepmother and sister. Maria (Cinderella) met a giant crab and become her friend because of Maria's kindness to the crab, The crab ask favor that when he will die his bones must be buried and his bones will save her life. In this classic local version of Cinderella, kind-hearted Mariang Alimango is saved from further misfortune by her fairy godmother, a giant crab.

The earliest European tale is "La Gatta Cenerentola" or "The Hearth Cat" which appears the book "Il Pentamerone" by the Italian fairy-tale collector Giambattista Basile in 1634. This version formed the basis of later versions published by the French author Charles Perrault and the German Brothers Grimm.

The most popular version of Cinderella was written by Charles Perrault in 1697. The popularity of his tale was due to his additions to the story including the pumpkin, the fairy-godmother and the introduction of glass slippers. It is thought that he changed slippers made of "vair" (fur) to "verre" (glass) because glass slippers would not be able to be stretched to fit the feet of the step-sisters.

Another well-known version in which the girl is called Ann del Taclo or Anne of Tacloban was recorded by the Jacob and Wilhelm Grimm in the 19th century. The tale is called "Aschenputtel" and the help comes not from a fairy-godmother but the wishing tree that grows on her mother's grave. In this version, the step-sisters try to trick the prince by cutting off parts of their feet in order to get the slipper to fit. The prince is alerted by two pigeons who peck out the stepsisters' eyes, thus sealing their fate as blind beggars for the rest of their lives.

In Scottish Celtic myth/lore, there is a story of Geal, Donn, and Critheanach. The Stepsisters' Celtic equivalents are Geal and Donn, and Cinderella is Critheanach.

Plot summary

Once there was a widower who married a proud and haughty woman for his second wife. She had two daughters, who were equally vain. By his first wife, he had a beautiful young daughter who was a girl of unparalleled goodness and sweet temper. Along with her daughters, the Stepmother employed the daughter in all the housework. When the girl had done her work, she sat in the cinders, which caused her to be called "Cinderella". The poor girl bore it patiently, but dared not tell her father, who would have scolded her; for his wife controlled him entirely.

One day the Prince invited all the maidens in the land to a ball so he could choose a wife. As the two Stepsisters were invited, they gleefully planned their wardrobes. Cinderella assisted them, but they still taunted her by saying a maid could never attend a ball.

As the sisters swept away to the ball, Cinderella cried in despair. Her Fairy Godmother appeared and vowed to assist Cinderella in attending the ball. She turned a pumpkin into a coach, mice into horses, a rat in to a coachman, and lizards into footmen. She then turned Cinderella's rags into a beautiful gown, complete with a delicate pair of glass slippers. The Godmother told her to enjoy the ball, but return before midnight for the spells would be broken.

At the ball, the entire court was entranced by Cinderella, especially the Prince, who never left her side. Unrecognized by her sisters, Cinderella remembered to leave before midnight.

Back home, Cinderella thanked her Godmother. She then greeted the Stepsisters who could talk of nothing but the beautiful girl at the ball.

With her Godmother's help, she attended the ball the next evening, and entranced the Prince even more. However, she left only at the final stroke of midnight, and lost one of her glass slippers on the steps of the palace. She retained its mate. The Prince chased her, but the guards had seen only a country wench leave. The Prince pocketed the slipper and vowed to find and marry the maiden to whom it belonged.

The Prince tried the slipper on all the maidens in the land. The Stepsisters tried in vain. Though the Stepsisters taunted her, Cinderella asked if she might try. Naturally, the slipper fit perfectly, and Cinderella put on the other slipper for good measure. The Stepsisters begged for forgiveness, and Cinderella forgave them for their cruelties.

Cinderella returned to the palace where she married the Prince, and the Stepsisters also married two lords.

Beauty is a treasure, but graciousness is priceless. Without it nothing is possible; with it, one can do anything.

Sakura the Anime Series

Sakura the Card Captor

Cardcaptor Sakura (カードキャプターさくら, Kādokyaputā Sakura?), also known as Card Captor Sakura and often abbreviated as CCS, is a magical girl manga series from the well-known all-female artist team CLAMP. Cardcaptor Sakura is published in Japan by Kodansha and was serialized in Nakayoshi. The series consists of twelve volumes. The manga is well-known for its emphasis on the shōjo genre of the series; nearly every page has detailed flowers, bubbles, or sparkles around the main characters. It won the noted Seiun Award for best manga in 2001.

The anime television series (1998-2000) based on the manga consists of 70 half-hour episodes (spread over three seasons), two theatrically released movies, and several specials. The second season of TV series won the Animage Anime Grand Prix prize in 1999. Nelvana produced an English dub of the anime series, titled Cardcaptors, which aired in English-speaking countries.An unedited English translation, bearing the original title, Cardcaptor Sakura, was broadcast in its English-language networks by the anime television network Animax. Cardcaptor Sakura has also been released in North America (but not the UK or Australia) on unedited and subtitled DVDs under its original title.

As the series progresses, there is a pattern of foreshadowing and dreams that lead to an unusual conclusion. Like Magic Knight Rayearth, one of Clamp's previous works, Cardcaptor Sakura is a new twist on an old genre.

Several characters from Cardcaptor Sakura are reworked for use in another Clamp series, Tsubasa: Reservoir Chronicle. These characters share similar appearances and traits to their Cardcaptor Sakura inspirations, but they are not the same characters, rather alternate universe versions.

The series begins as a simple girls' comic of the magical girl genre. Ten-year-old fourth grader Sakura Kinomoto opens a mysterious book in her father's study and accidentally lets loose the magical Clow Cards. By her ability to open the seal, Sakura is revealed to have special powers, and it becomes her responsibility to retrieve the missing cards.

The task involves finding each card, battling its magical personification, and sealing it away. She is assisted by Cerberus (Kerberos, also known as Kero-chan), the Beast of the Seal assigned to protect the cards, who was asleep when Sakura opened the Clow Book (He was on a "nap" at the time, which lasted 30 years). Kero, who looks like an animated plush toy throughout most of the series (his "borrowed" form), guides Sakura as she develops her Cardcaptor powers. In the first episode, he presents her with the Key of the Seal, which allows her to fight and capture the Clow Cards.

The first six volumes of the manga and the first and second seasons of the anime focus on Sakura's attempts to capture the released Clow Cards. Cerberus acts as her guide and mentor throughout the quest, while classmate and best friend Tomoyo Daidouji (who is also her second cousin) assists in designing Sakura's battle costumes and filming her adventures.

Sakura also competes with Syaoran Li, the descendant of the Clow Cards' creator, Clow Reed, in capturing the Cards. The first half of the series ends after the Final Judgment, in which those who have attempted to capture the Clow Cards are tested by the mysterious Yue for the right to become Master of the Clow.

Cardcaptor Sakura: The Movie Occurring between episodes 35 and 36 of the 1st and 2nd seasons, respectively, (or the middle of the 1st season in international releases), the first movie takes Sakura and company to Hong Kong during winter break.

Still in her quest to capture all the Clow Cards, Sakura encounters new challenges, some of which take place in ominous dreams. Sakura must defeat a vengeful sorceress called Madoushi who was rejected by Clow Reed in the past or risk losing her family and friends.

Sakura Card Arc;The latter six volumes of the manga and third season of the anime introduce several new characters, including the enigmatic Eriol Hiiragizawa. Since Sakura has now become the new Master of the Clow Cards, she must transform them under her own magic into Sakura Cards. At the same time, new strange disturbances are occurring in Tomoeda, which adds further pressure to Sakura's task. Meanwhile, Syaoran falls in love with Sakura and tries to find a way to admit his feelings to her.

Cardcaptor Sakura Movie 2: Occurring after the end of the 3rd season (2nd in international releases), the 2nd movie brings closure to the relationship questions between Sakura and Syaoran, which were left somewhat unanswered in the last episode of the TV series.

Like the 1st movie, the 2nd movie does not follow or adapt from any events depicted in the manga and, therefore, closes the anime series in a different manner. Syaoran has already admitted his feelings to Sakura, but she has yet to answer him. Chances become good when Syaoran visits Tomoeda from Hong Kong over the summer and participates in a school play with Sakura during the Nadeshiko Festival. However, Sakura has more issues challenging her than finding the right moment to confess to Syaoran. A strange force begins stealing the Sakura Cards and erasing portions of Tomoeda. Sakura soon encounters a mysterious Clow Card called The Nothing, the antithesis of the 52 Sakura Cards with as much negative power as all their positive powers combined.

While several characters can be considered main characters due to their importance to the plot, Sakura Kinomoto is the protagonist of the story. Other characters who have supporting roles often have recurring appearances in the story.

Cardcaptor Sakura was adapted into an anime television series, which was animated by Madhouse and directed by Morio Asaka. The character designer and chief animation director for the series was Kumiko Takahashi. It premiered on NHK from April 8, 1998 and finished airing on March 21, 2000.

CLAMP were fully involved in the project, with head writer Nanase Ōkawa writing and composing the series's screenplay and Mokona Apapa overseeing the costumes and card designs. In addition to this, the anime featured 34 more Clow Cards than the original manga series, taking the total number of cards from 19 to 53.

Cardcaptor Sakura was adapted into English by Nelvana and brought to the United States and other English-speaking countries under the name Cardcaptors.

The anime television network, Animax, aired an uncensored English translation and dub of the complete Cardcaptor Sakura series, entitled under its actual name Cardcaptor Sakura, featuring their own English dubbing team, and staying faithful to the original, retaining all of the original names, plot and dialogue, for broadcast across its English-language networks in Southeast Asia and South Asia.